
Works-in-Progress: Online Gallery
In this gallery, the conference panelists share the parts of their work that are often obscured during the academic publishing process. In the following spaces, you will find pictures from our field-sites, multimodal engagements, field notes, and much more. This space serves to show the deep engagements with the places we study beyond the page.
Leniqueca Welcome
Over-exposed
This digital photo collage designed by Leniqueca Welcome comprises photographs collected during her field research in Trinidad from 2016-2020.
Pooja Nayak
Sounds from my first forest walk at night in a reserve forest adjoining the Kudremukh National Park. Led by a biologist and the local field expert, we were there to see/hear crickets. It was 7.30 pm on an October evening, pitch dark as we walked, and I realized how a tropical forest can be quite noisy!
Perry Maddox
A short sketch of sounds, music, and image, thinking through the subtle weirding that is one of the many ways climate change may be felt in the everyday.
Melanie Ford Lemus
Wheelbarrow used to remove sand from the slope of a ravine. Community El Solano, Villa Nueva, Guatemala.
Building a leveled house against the ravine slope. Community El Paraíso II, Guatemala City, Guatemala.
A cave and natural water source in a ravine crevice, captured for community wash basins. Community San Julían, Chinautla, Guatemala.
Raka Sen
July 24. 2018
Manik, the driver, was going on and on, maybe for the whole first hour of the drive about how he saw on the news that someone caught a three kilogram ganga eelish maach (the fish the whole region seemingly mouth waters for). He deemed this preposterous and spent the time talking, essentially to himself, figuring out how to catch the fish, and then really delved into strategizing how to cut the fish. As he was having this conversation we drove by something that I thought was a huge fire. I instantly got quite stressed out and asked if everything was alright over there -- as if he would know differently than me. He looked at me, unfazed, and said they were definitely just burning their trash. It was in that moment that I realized that even though I had learned so much in the many months I had been in the region, there was still so much to learn.
Angelica Calabrese
Sketching Salento's Olive Trees: Seeing Form through Drawing
Province of Lecce, Italy. January 2020.
Pablo Aguilera Del Castillo
Sounds from my visit to Hunucmá, a nearby town in the Yucatán Peninsula, Mexico. The sound recording captures fragments of everyday life in Hunucmá, a busy town and an agricultural center in the region. We hear the competing sounds of birds, cars, traffic lights, and pedestrians walking by the plaza and the central market.
Stefan Norgaard
All photographs in this section are taken by Mikhael Subotzky. Learn more about Mikhael’s work and his photography archive at Subotzky Studios: http://www.subotzkystudio.com/.
Gate, Illovo, Johannesburg, 2008
Exhibited: Yes. details TBC
Traffic light encounter, 2004
Exhibited: 2012/2013: Retinal Shift (as part of I was looking back installation), various locations in South Africa including Standard Bank Gallery (Johannesburg) and Iziko (Cape Town)
2013: Solo presentation at Studio La Citta (Italy), as part of I was looking back installation
2012/2013: Retinal Shift (as part of the I was looking back installation), various locations in South Africa including Standard Bank Gallery (Johannesburg) and Iziko (Cape Town)
Keep Them Out, Johannesburg, 2007
Exhibited: 2012/2013: Retinal Shift (as part of I was looking back installation), various locations in South Africa including Standard Bank Gallery (Johannesburg) and Iziko (Cape Town)
2013: Solo presentation at Studio La Citta (Italy), as part of I was looking back installation
Carlswald Plot Watch, 2009
Exhibited: 2012/2013: Retinal Shift (as part of I was looking back installation), various locations in South Africa including Standard Bank Gallery (Johannesburg) and Iziko (Cape Town)
2013: Solo presentation at Studio La Citta (Italy), as part of I was looking back installation
Street Party, Saxonwold, 2008
Exhibited: 2012/2013: Retinal Shift (as part of the I was looking back installation), various locations in South Africa including Standard Bank Gallery (Johannesburg) and Iziko (Cape Town)
2013: Solo presentation at Studio La Citta (Italy), as part of I was looking back installation
Head, Houghton, 2014
Exhibited: Authenticité group show, Goodman Gallery (online viewing room), 2020
Rebecca Winkler
This afternoon the elephants were behaving very oddly, vocalizing a lot and alternating between being much more active and then taking full on naps in the middle of the day. The mahouts told me that they were talking to other elephants, which I found confusing as I wasn’t aware there was another group of elephants nearby. The next day when we went out to find the elephants they had joined together with a group of 5 elephants from another village and were all hanging out together. I was astonished! The mahouts informed me these other elephants didn’t know us so we had better stay far away and give them space. We climbed into trees to watch them together.
Zsuzsanna Ihar
Larissa Johnson
Ma visits me on the wind.
Christian Espinosa Schatz
Lakshmi Pradeep
Desalination Plant, Agatti, Lakshadweep
New fresh water well, Bitra, Lakshadweep
Tombstone, Bitra, Lakshadweep
Water harvesting structure, Bitra, Laksahdweep
New proposed plant on ocean thermal desalination, Kavaratti, Lakshadweep
Underwater Friendship (author with friend, Kavaratti, Lakshadweep)